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Wolfenstein 3DBy: The J Man
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I liked the PC version of Wolfenstein 3D. Liked it when it came out. Liked it when I played through it for that review. But I couldn't say that I loved the game, or had any particular desire to play through it again (as evidenced by a current lack of a Spear of Destiny review). So when I decided to review the Jaguar version, I expected to play a few levels, comment on what had changed, and move on. Imagine my surprise when I found myself still playing well after I had enough information. Wolf 3D (which I also freely refer to as "Wolfenschnitzel" and "Wolfenheimer") for the Jaguar seems, upon first inspection, to be the version that didn't need to be made. The PC original and the sequel were released two years before. Doom was already rampaging through the stores. Not to mention, there's nothing particularly "64-bit" about Wolf. So why bother? Well, iD had the code laying around, they had the money to throw at it to make more money, so I can understand a pervasive "why not?" Yet this doesn't feel like the expected lazy cash-in port. Truthfully, it turns out to be an excellent version by any measure. But don't pick this up expecting a totally rare adaptation available only to those who bought the Jag. It's part of the "Wolfenstein 2.0" round of 1994 ports, which include the 3DO, Macintosh, and the SNES to some extent. Each of them are similar reimaginings of the same game; expanding and improving upon the PC original, but not being much different from each other. The fundamental game hasn't changed much either, making it hard to recommend if you've already played the first.
You also get the benefit of the same two new weapons featured in the other upgraded ports - the rocket launcher and the flamethrower. The rocket launcher is mostly good only for dealing heavy damage directly to bosses, but it will still take an abnormal amount of shells to knock them down. The rockets do have the curious property of not exploding until they hit a wall or boss character, meaning that they will drive straight through any standard foe and kill them as they pass. If you can ever get a mass of foes in a straight line (through a doorway, for example) then you might be able to put this to good use. Otherwise, the flamethrower is the way to go. It shoots rocket-like balls of flame, but at a chaingun rate. Each flame ball will kill a regular foe in one hit, making it a fantastic tool for crowd control. It's also strong and fast enough for bosses, making the rocket launcher almost not even worth including. This raw power is offset by having limited fuel throughout the game.
These cleaner graphics come with a small price. All enemies are now drawn from one angle (the front), so you will not find patrolling or turning enemies, or guards with their backs to you, as you could in the original. Admittedly, stealth never played a crucial role in the PC game. I personally never bothered to shiv a guard in the back, even though you could. Enemies do still react to nearby gunshots and open doors to investigate, and harder difficulty levels will put them in more positions to surprise you (like next to doors to shoot you in the back if you run through carelessly), but a certain level of "realism" gets lost by having cardboard cut-out enemies always staring at the door and waiting for you to enter. This is something you probably won't even notice if you aren't looking for it, and if it was a true requirement to fit the enhanced graphics on the cart, then it is worth the trade. If it was just laziness, well, pshaw. The game sounds great. Guard shouts are stronger and cleaner, weapons bark out more appropriately. Music sounds ported from the PC and still MIDI, but the sound processor is better than even an early Sound Blaster. The most important difference is that notes now sound "deep" and have resonance. Individual instruments can now be picked out as well, and the slow, dramatic remix of the "Marines' Hymn" is still one of the better-fitting game tunes I've ever heard. You also have the option to set the music volume independent of the effects, even to the point of turning it off if you so desire. Some of the voice assignments have changed, most notably the officer stole the machine gun guy's SS line and the machine gun guy now barks "Hitler!" Perhaps he confuses you for the boss? Maybe he just wants you to know who he's working for, i.e. "Hitler sends his regards!" Maybe iD just ran out of meaningless German words to shout? The lines also don't seem to be re-recorded, just transferred from the source recordings at a much higher quality than the PC. If you want real Germans speaking the words, that remains a Mac exclusive.
The 1-3 buttons control three on-cart save slots. Pressing any of them writes your current settings instantly. The lack of a confirmation system makes it easy to accidentally overwrite a saved game, but it's not likely you'll hit any of these buttons by mistake. You should be more concerned about losing track of what game is in which slot, since there's no way to tell. You can only load a saved game from the main menu screen, while dying simply starts you at the beginning of the level with the pistol and a handful of bullets. Since you can't quickly load a saved game, you're encouraged to accept your death and push on more so than in the PC version. Each level has a generous placement of weapons and secrets to allow any of them to be beaten without carrying over weapons from the previous level. But if you've gotta have that chaingun back NOW, there's always * and #. The final and best feature is an automap on the 5 key. Pressing this shows the layout of the areas you've traveled, with icons replicating the textures on the walls. You will not see the key needed for a locked door, or any pickups you might have missed, but the map is absolutely invaluable in helping you find what areas of the level you haven't been to yet. Again, this is a feature in all updated ports and not exclusive to the Jag, but it makes getting lost inside the game totally impossible. You won't be led through the levels, but you won't be frustrated anymore either. It also can assist in finding secret rooms by showing obvious gaps in the architecture, but your best weapon in that regard is still going to be running along the walls and humping every panel. I can find no censorship in this version, except that the puddles of blood on the floor, and the skeletons in hanging cages, seem to be missing. I don't think these were dropped for violence though, probably just to save space. Guards still bleed when shot and remain bloody corpses on the ground, Hitler and swastikas still decorate the walls, and angry dogs still stand ready to take a bullet. There's also not any new violence or offensive content. There are no new death animations for the flamethrower and bazooka weapons, and by iD standards, the gore here is tame. Still, the detailed expressions make it more clear than before that you're shooting humans, and they're not liking it. Pained grimaces on your enemies' faces brings a tone to the game not present when you were shooting shambling collections of pixels on the PC. Some may consider this a more offensive kind of violence. I suppose it's something to consider before handing the game over to the lil' nippers, and it was enough of a change to make this morally bankrupt, desensitized twat take notice.
Even considering the change to a more balls-out attitude, this version is a blast to play. The graphics are spectacular, the sound brings the noise, and the controls are easy to handle. We're still not up to "Must Own A Jaguar To Play This Game" status yet, especially considering that the majority of these upgrades are present in other ports, but this title should definitely go in the "Pros" column. -reviewed 5/20/07 - game copyright 1994 Atari
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